Under the Shadow of Giants

from £50.00

𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲

I shot this with the 100–400 because I wanted that heavy compression, that feeling where all the layers stack together and the mountains look way bigger and closer than they actually are. Framing it, I lined up the cacti in the foreground, the buildings in the middle, and the ridge lines in the back, knowing the telephoto would pull the whole scene tight.

Through the lens everything suddenly clicked—the peaks felt massive, the little houses scattered on the slopes looked like they were barely hanging on, and even the unfinished building became part of the landscape. And then the light shifted… that moody, cool-toned wash across the mountains with pockets of soft highlights. Honestly, that was the final touch that made the whole shot feel special.

Size:

𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲

I shot this with the 100–400 because I wanted that heavy compression, that feeling where all the layers stack together and the mountains look way bigger and closer than they actually are. Framing it, I lined up the cacti in the foreground, the buildings in the middle, and the ridge lines in the back, knowing the telephoto would pull the whole scene tight.

Through the lens everything suddenly clicked—the peaks felt massive, the little houses scattered on the slopes looked like they were barely hanging on, and even the unfinished building became part of the landscape. And then the light shifted… that moody, cool-toned wash across the mountains with pockets of soft highlights. Honestly, that was the final touch that made the whole shot feel special.


When it comes to printing and fulfilling customer orders, Phillip insists on working with only the very best in the printing business — which means not only using top-tier printing technology and expert craftsmanship, but also choosing premium materials that do justice to your images. WhiteWall is widely recognised as a world-class photo lab that combines cutting-edge production with gallery-quality standards. Their processes and materials are trusted by photographers, artists and galleries around the world because each step — from file upload to final inspection — is monitored by experienced print specialists to ensure perfect results.

A key example of this commitment is his favourite choice of paper: Hahnemühle William Turner. This is a fine-art, 100 % cotton, mould-made paper with a rich, textured surface that is renowned in the professional photography and art world for its exceptional print quality and archival durability. The premium matt inkjet coating on this paper delivers outstanding colour depth, smooth tonal transitions, and exquisite detail, while its acid- and lignin-free composition means prints will age beautifully over time. It’s the kind of paper you’d see used for museum-calibre, limited-edition prints, exhibitions and archival portfolios — not just everyday consumer printing.

By pairing WhiteWall’s award-winning printing expertise with William Turner fine-art paper, Phillip ensures every print he fulfils isn’t just a photograph, but a true, museum-quality art object — rich in detail, texture and lasting impact.


Notes

  • All prints will have a white border to preserve the photo’s aspect ratio. The white border will also make mounting and framing the print easier.

  • Please allow up to 15 working days between order and shipping but these may vary depending on the destination

  • The price displayed is for the print only. Any frame or mount shown is for display purposes only

If you buy one of my prints, this is the highest compliment I can receive as a photographer.