Through the Heart of Eryri

from £50.00

𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲

As Ryan and I were photographing the Penmachno Roman Bridge, faint hues began to gather in the clouds above — soft pinks and golds brushing through the grey. We noticed the light, but thought little of it, absorbed in the quiet rhythm of the river and the timeless curve of the bridge. It wasn’t until we started making our way back that the sky transformed — the colours ignited, and a beam of light carved its way through the valley ahead.

Suddenly, the landscape came alive. The mountains glowed in fiery tones, and the forests below seemed to breathe under the warmth of the evening sun. We dropped everything, rushing to capture it — hearts racing, cameras clicking, the world burning with light and life.
It was one of those rare, fleeting moments — a reminder of how nature rewards patience and chance in equal measure. The day ended not in stillness, but in exhilaration, as Eryri revealed one last gift before nightfall.

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𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲

As Ryan and I were photographing the Penmachno Roman Bridge, faint hues began to gather in the clouds above — soft pinks and golds brushing through the grey. We noticed the light, but thought little of it, absorbed in the quiet rhythm of the river and the timeless curve of the bridge. It wasn’t until we started making our way back that the sky transformed — the colours ignited, and a beam of light carved its way through the valley ahead.

Suddenly, the landscape came alive. The mountains glowed in fiery tones, and the forests below seemed to breathe under the warmth of the evening sun. We dropped everything, rushing to capture it — hearts racing, cameras clicking, the world burning with light and life.
It was one of those rare, fleeting moments — a reminder of how nature rewards patience and chance in equal measure. The day ended not in stillness, but in exhilaration, as Eryri revealed one last gift before nightfall.


When it comes to printing and fulfilling customer orders, Phillip insists on working with only the very best in the printing business — which means not only using top-tier printing technology and expert craftsmanship, but also choosing premium materials that do justice to your images. WhiteWall is widely recognised as a world-class photo lab that combines cutting-edge production with gallery-quality standards. Their processes and materials are trusted by photographers, artists and galleries around the world because each step — from file upload to final inspection — is monitored by experienced print specialists to ensure perfect results.

A key example of this commitment is his favourite choice of paper: Hahnemühle William Turner. This is a fine-art, 100 % cotton, mould-made paper with a rich, textured surface that is renowned in the professional photography and art world for its exceptional print quality and archival durability. The premium matt inkjet coating on this paper delivers outstanding colour depth, smooth tonal transitions, and exquisite detail, while its acid- and lignin-free composition means prints will age beautifully over time. It’s the kind of paper you’d see used for museum-calibre, limited-edition prints, exhibitions and archival portfolios — not just everyday consumer printing.

By pairing WhiteWall’s award-winning printing expertise with William Turner fine-art paper, Phillip ensures every print he fulfils isn’t just a photograph, but a true, museum-quality art object — rich in detail, texture and lasting impact.