The Quiet Flame of Dinorwic

from Β£50.00

π“π‘πž 𝐒𝐭𝐨𝐫𝐲

Ryan and I dedicated two full days to chasing the very heart of autumn across North Wales β€” that brief, golden window when the landscape burns brightest before winter’s hush. We began at Dinorwic Quarry under a sky undecided, the weather shifting between drizzle and sudden shafts of light.

The silver birch trees stood like quiet flames amid the slate and stone, their leaves turning a brilliant yellow that seemed to defy the greys around them. Between breaks in the clouds, the landscape would briefly come alive β€” every droplet of rain on a leaf catching the light, every colour deepened.

With my long lens, I tried to frame that fragile energy β€” the way the birch shimmered against the darker backdrop, the feeling that this moment was both fleeting and eternal. For hours we explored, waiting for that perfect alignment of light and calm.

By the end of the second day, soaked and exhilarated, we had captured what we came for: the essence of autumn in its peak β€” untamed, luminous, and heartbreakingly short-lived.

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π“π‘πž 𝐒𝐭𝐨𝐫𝐲

Ryan and I dedicated two full days to chasing the very heart of autumn across North Wales β€” that brief, golden window when the landscape burns brightest before winter’s hush. We began at Dinorwic Quarry under a sky undecided, the weather shifting between drizzle and sudden shafts of light.

The silver birch trees stood like quiet flames amid the slate and stone, their leaves turning a brilliant yellow that seemed to defy the greys around them. Between breaks in the clouds, the landscape would briefly come alive β€” every droplet of rain on a leaf catching the light, every colour deepened.

With my long lens, I tried to frame that fragile energy β€” the way the birch shimmered against the darker backdrop, the feeling that this moment was both fleeting and eternal. For hours we explored, waiting for that perfect alignment of light and calm.

By the end of the second day, soaked and exhilarated, we had captured what we came for: the essence of autumn in its peak β€” untamed, luminous, and heartbreakingly short-lived.


When it comes to printing and fulfilling customer orders, Phillip insists on working with only the very best in the printing business β€” which means not only using top-tier printing technology and expert craftsmanship, but also choosing premium materials that do justice to your images. WhiteWall is widely recognised as a world-class photo lab that combines cutting-edge production with gallery-quality standards. Their processes and materials are trusted by photographers, artists and galleries around the world because each step β€” from file upload to final inspection β€” is monitored by experienced print specialists to ensure perfect results.

A key example of this commitment is his favourite choice of paper: HahnemΓΌhle William Turner. This is a fine-art, 100 % cotton, mould-made paper with a rich, textured surface that is renowned in the professional photography and art world for its exceptional print quality and archival durability. The premium matt inkjet coating on this paper delivers outstanding colour depth, smooth tonal transitions, and exquisite detail, while its acid- and lignin-free composition means prints will age beautifully over time. It’s the kind of paper you’d see used for museum-calibre, limited-edition prints, exhibitions and archival portfolios β€” not just everyday consumer printing.

By pairing WhiteWall’s award-winning printing expertise with William Turner fine-art paper, Phillip ensures every print he fulfils isn’t just a photograph, but a true, museum-quality art object β€” rich in detail, texture and lasting impact.