The Forgotten Trail

from £50.00

𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲

I had only recently moved to the village of Dale Abbey, still finding my feet from a photographic point of view, still chasing the hidden gems the place had to offer. That morning, drawn by curiosity and a faint trace of path leading into the trees.

It felt less like a path and more like a secret—an invitation into a world that didn’t want to be easily found. Mist hung thick between the branches, softening the edges of the woodland until it felt like I’d stepped into another time. The ground was carpeted with ferns and bluebells, their colour made richer by the damp air, and the trees leaned over as if conspiring to keep the mystery of this place alive.

I couldn’t help but think that these were the moments photography was made for—not just to capture the scene, but to freeze the feeling: that blend of awe and quiet reverence when you stumble across somewhere untouched, somewhere that whispers its own stories.

And as I followed the path deeper, with my camera slung at my side, I realised that Dale Abbey wasn’t just going to be a new home. It was going to be a place of endless discovery—each hidden trail another chance to learn the language of the land through my lens.

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𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲

I had only recently moved to the village of Dale Abbey, still finding my feet from a photographic point of view, still chasing the hidden gems the place had to offer. That morning, drawn by curiosity and a faint trace of path leading into the trees.

It felt less like a path and more like a secret—an invitation into a world that didn’t want to be easily found. Mist hung thick between the branches, softening the edges of the woodland until it felt like I’d stepped into another time. The ground was carpeted with ferns and bluebells, their colour made richer by the damp air, and the trees leaned over as if conspiring to keep the mystery of this place alive.

I couldn’t help but think that these were the moments photography was made for—not just to capture the scene, but to freeze the feeling: that blend of awe and quiet reverence when you stumble across somewhere untouched, somewhere that whispers its own stories.

And as I followed the path deeper, with my camera slung at my side, I realised that Dale Abbey wasn’t just going to be a new home. It was going to be a place of endless discovery—each hidden trail another chance to learn the language of the land through my lens.


When it comes to printing and fulfilling customer orders, Phillip insists on working with only the very best in the printing business — which means not only using top-tier printing technology and expert craftsmanship, but also choosing premium materials that do justice to your images. WhiteWall is widely recognised as a world-class photo lab that combines cutting-edge production with gallery-quality standards. Their processes and materials are trusted by photographers, artists and galleries around the world because each step — from file upload to final inspection — is monitored by experienced print specialists to ensure perfect results.

A key example of this commitment is his favourite choice of paper: Hahnemühle William Turner. This is a fine-art, 100 % cotton, mould-made paper with a rich, textured surface that is renowned in the professional photography and art world for its exceptional print quality and archival durability. The premium matt inkjet coating on this paper delivers outstanding colour depth, smooth tonal transitions, and exquisite detail, while its acid- and lignin-free composition means prints will age beautifully over time. It’s the kind of paper you’d see used for museum-calibre, limited-edition prints, exhibitions and archival portfolios — not just everyday consumer printing.

By pairing WhiteWall’s award-winning printing expertise with William Turner fine-art paper, Phillip ensures every print he fulfils isn’t just a photograph, but a true, museum-quality art object — rich in detail, texture and lasting impact.