the last of the elder trees-full.jpg
The Last of the Elder Trees.jpg
the last of the elder trees-full.jpg
The Last of the Elder Trees.jpg

The Last of the Elder Trees

from £75.00

The plan had been simple.

Phillip had returned to the woodland with one hope in mind — to quietly revisit the fox den and spend some time photographing the cubs amongst the bluebells. The previous encounter had stayed with him ever since, but this time felt different. The woodland was still. Silent. No movement. No playful growls drifting through the undergrowth.

So he waited.

And waited.

But sometimes nature offers you a boundary rather than a photograph. After a while, Phillip made the decision to step back. No image was worth disturbing the den or interrupting the routine of the cubs and their mother. He never wanted to become the kind of photographer that pushed too far simply for the sake of a shot.

Instead, he let the woodland decide the story.

The evening quickly became a battle of its own — constantly bitten, eaten alive and harassed by every woodland critter imaginable. Midges swarmed, insects crawled, and patience was tested more than once. Yet he stayed. Watching the light slowly shift through the canopy above as the forest began to glow gold.

And then it happened.

Everything aligned.

The sprawling blanket of bluebells stretching across the hillside. The ancient fallen trees twisting through the foreground like the remains of forgotten giants. Warm evening light pouring between the branches. And finally, a perfect sunstar bursting through the leaves at just the right aperture.

For a brief moment, the woodland felt ancient. Untouched. Almost mythical.

The foxes never appeared that evening, but somehow the forest still gave Phillip exactly what he needed.

Size:

The plan had been simple.

Phillip had returned to the woodland with one hope in mind — to quietly revisit the fox den and spend some time photographing the cubs amongst the bluebells. The previous encounter had stayed with him ever since, but this time felt different. The woodland was still. Silent. No movement. No playful growls drifting through the undergrowth.

So he waited.

And waited.

But sometimes nature offers you a boundary rather than a photograph. After a while, Phillip made the decision to step back. No image was worth disturbing the den or interrupting the routine of the cubs and their mother. He never wanted to become the kind of photographer that pushed too far simply for the sake of a shot.

Instead, he let the woodland decide the story.

The evening quickly became a battle of its own — constantly bitten, eaten alive and harassed by every woodland critter imaginable. Midges swarmed, insects crawled, and patience was tested more than once. Yet he stayed. Watching the light slowly shift through the canopy above as the forest began to glow gold.

And then it happened.

Everything aligned.

The sprawling blanket of bluebells stretching across the hillside. The ancient fallen trees twisting through the foreground like the remains of forgotten giants. Warm evening light pouring between the branches. And finally, a perfect sunstar bursting through the leaves at just the right aperture.

For a brief moment, the woodland felt ancient. Untouched. Almost mythical.

The foxes never appeared that evening, but somehow the forest still gave Phillip exactly what he needed.

Printed in Dale Abbey

Every print is personally handled by Phillip from start to finish at his home studio in Dale Abbey. Using the Canon PIXMA PRO-200S, each photograph is carefully printed, checked, and prepared by hand to ensure it meets the highest possible standard before leaving the studio.

Rather than outsourcing production, Phillip believes in remaining closely connected to every stage of the printing process. From selecting the final image and adjusting tones for print, to reviewing detail, texture and overall presentation, every piece is produced with the same level of care and attention that went into capturing the original photograph in the field.

Each print is created in small numbers, allowing time for precision, consistency and quality rather than mass production.

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Quality Control

Quality control is an essential part of the process. From colour and contrast to paper finish and detail retention, every print is overseen personally by Phillip to ensure the final piece reflects the atmosphere and emotion of the original scene as faithfully as possible.

Landscape photography can often contain subtle transitions in light, deep shadow detail, and delicate colour tones that deserve careful handling when brought into print. Every image is individually reviewed to ensure those quieter details remain present and true to the original vision.

Prints are checked under natural lighting conditions to ensure consistency, depth and accuracy — creating a final piece that feels refined, natural and true to the landscape itself.

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Premium Materials

To achieve this, only premium materials are used, including Canon Photo Paper Pro Premium Matte — chosen for its exceptional detail, rich tones, and beautifully subtle texture that perfectly complements Phillip’s landscape photography.

Phillip has always been drawn to the softer, more natural finish that matte paper provides. It removes unnecessary glare and allows the atmosphere, mood and detail within each image to take centre stage. From mist-filled woodlands and soft sunrise light to dramatic weather rolling across the landscape, the paper helps retain a subtle and timeless feel.

The combination of professional inks, carefully calibrated printing and premium matte paper ensures every print is produced with longevity, clarity and richness in mind.

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A Personal Thank You

Please know that purchasing one of Phillip’s prints is considered the highest compliment he can receive. Every order genuinely means a great deal and supports the continued exploration, quiet mornings, long walks, and moments behind the camera that make these photographs possible.

Photography has always been far more than simply taking pictures. It is a form of escapism, reflection and connection to the outdoors — whether standing alone in woodland before sunrise, exploring hidden corners close to home in Dale Abbey, or enduring difficult conditions in search of fleeting light.

Knowing that one of these moments will live on in somebody’s home is something Phillip never takes for granted. Every print purchased directly supports future adventures, early mornings, long evenings outdoors and the continued pursuit of meaningful landscape photography.