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Fragments

from £75.00

By this point along the coastline of Tossa de Mar, the weather had become increasingly unpredictable. Phillip had already pushed his luck several times throughout the evening with long exposures between passing storms, but standing amongst the rugged rocks and scattered fragments of shoreline, the atmosphere felt too good to walk away from.

The sea had fallen strangely calm beneath a deepening steel-blue sky.

Carefully setting up low to the sand, Phillip composed the scene around the fractured rocks cutting into the shoreline, fitting the Lee Big Stopper and committing to a full 240 second exposure. As the shutter clicked open, everything around him began to change. The skies darkened rapidly, the wind suddenly intensified, and the peaceful calm of the coast disappeared almost instantly.

At first, what drifted across the sea looked like mist rolling toward the beach.

It wasn’t mist.

Within moments it became hail and heavy rain racing across the coastline straight toward him. With the exposure still running there was nothing to do except wait it out and hope both tripod and camera stayed upright against the strengthening gusts. Completely exposed with nowhere nearby to hide, Phillip stood battered by the weather, counting down the seconds whilst watching the storm consume the shoreline around him.

The moment the exposure finally ended, he grabbed the gear and ran for shelter.

Soaked through, with camera equipment dripping and hammered by the conditions, he eventually found cover beneath a closed snack bar overlooking the beach. Catching his breath, he glanced down at the preview screen on the back of the camera.

And instantly knew it had all been worth it.

Size:

By this point along the coastline of Tossa de Mar, the weather had become increasingly unpredictable. Phillip had already pushed his luck several times throughout the evening with long exposures between passing storms, but standing amongst the rugged rocks and scattered fragments of shoreline, the atmosphere felt too good to walk away from.

The sea had fallen strangely calm beneath a deepening steel-blue sky.

Carefully setting up low to the sand, Phillip composed the scene around the fractured rocks cutting into the shoreline, fitting the Lee Big Stopper and committing to a full 240 second exposure. As the shutter clicked open, everything around him began to change. The skies darkened rapidly, the wind suddenly intensified, and the peaceful calm of the coast disappeared almost instantly.

At first, what drifted across the sea looked like mist rolling toward the beach.

It wasn’t mist.

Within moments it became hail and heavy rain racing across the coastline straight toward him. With the exposure still running there was nothing to do except wait it out and hope both tripod and camera stayed upright against the strengthening gusts. Completely exposed with nowhere nearby to hide, Phillip stood battered by the weather, counting down the seconds whilst watching the storm consume the shoreline around him.

The moment the exposure finally ended, he grabbed the gear and ran for shelter.

Soaked through, with camera equipment dripping and hammered by the conditions, he eventually found cover beneath a closed snack bar overlooking the beach. Catching his breath, he glanced down at the preview screen on the back of the camera.

And instantly knew it had all been worth it.

Printed in Dale Abbey

Every print is personally handled by Phillip from start to finish at his home studio in Dale Abbey. Using the Canon PIXMA PRO-200S, each photograph is carefully printed, checked, and prepared by hand to ensure it meets the highest possible standard before leaving the studio.

Rather than outsourcing production, Phillip believes in remaining closely connected to every stage of the printing process. From selecting the final image and adjusting tones for print, to reviewing detail, texture and overall presentation, every piece is produced with the same level of care and attention that went into capturing the original photograph in the field.

Each print is created in small numbers, allowing time for precision, consistency and quality rather than mass production.

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Quality Control

Quality control is an essential part of the process. From colour and contrast to paper finish and detail retention, every print is overseen personally by Phillip to ensure the final piece reflects the atmosphere and emotion of the original scene as faithfully as possible.

Landscape photography can often contain subtle transitions in light, deep shadow detail, and delicate colour tones that deserve careful handling when brought into print. Every image is individually reviewed to ensure those quieter details remain present and true to the original vision.

Prints are checked under natural lighting conditions to ensure consistency, depth and accuracy — creating a final piece that feels refined, natural and true to the landscape itself.

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Premium Materials

To achieve this, only premium materials are used, including Canon Photo Paper Pro Premium Matte — chosen for its exceptional detail, rich tones, and beautifully subtle texture that perfectly complements Phillip’s landscape photography.

Phillip has always been drawn to the softer, more natural finish that matte paper provides. It removes unnecessary glare and allows the atmosphere, mood and detail within each image to take centre stage. From mist-filled woodlands and soft sunrise light to dramatic weather rolling across the landscape, the paper helps retain a subtle and timeless feel.

The combination of professional inks, carefully calibrated printing and premium matte paper ensures every print is produced with longevity, clarity and richness in mind.

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A Personal Thank You

Please know that purchasing one of Phillip’s prints is considered the highest compliment he can receive. Every order genuinely means a great deal and supports the continued exploration, quiet mornings, long walks, and moments behind the camera that make these photographs possible.

Photography has always been far more than simply taking pictures. It is a form of escapism, reflection and connection to the outdoors — whether standing alone in woodland before sunrise, exploring hidden corners close to home in Dale Abbey, or enduring difficult conditions in search of fleeting light.

Knowing that one of these moments will live on in somebody’s home is something Phillip never takes for granted. Every print purchased directly supports future adventures, early mornings, long evenings outdoors and the continued pursuit of meaningful landscape photography.