crimson ember field-full.jpg
DSCF0055.jpg
crimson ember field-full.jpg
DSCF0055.jpg

Crimson Ember Field

from £75.00

The same evening that had begun quietly amongst the sunflowers suddenly transformed into something altogether different. What had started as a calm study of detail and softness quickly gave way to a sky that felt almost apocalyptic in scale and intensity.

As the sun began to fall, the atmosphere changed within minutes.

The horizon ignited in deep reds, burning oranges, and molten gold, casting an otherworldly glow across the entire field. The sunflowers, once vibrant and full of detail, became dark silhouettes beneath the blaze above them — thousands of shadowed heads stretching endlessly toward the horizon. In the distance, a lone tree stood against the fire-lit sky, almost black against the overwhelming light surrounding it.

For Phillip, it felt surreal.

There are sunsets that feel gentle and fleeting, and then there are sunsets like this — the kind that stop you in your tracks and make the landscape feel as though it is burning from within. The air itself seemed saturated with colour. Every glance through the viewfinder revealed something more dramatic than the last.

What made the moment even more rewarding was the contrast to the earlier part of the evening. Only an hour before, he had been slowing down amongst individual flowers, searching for calmness and subtle compositions with the 100–400mm. Now, the same field had become vast, cinematic, and almost biblical in mood.

Spoilt by an unforgettable sky, Phillip stood amongst the darkened sunflowers as the light slowly faded, watching the field disappear into crimson embers beneath the dying sun.

Size:

The same evening that had begun quietly amongst the sunflowers suddenly transformed into something altogether different. What had started as a calm study of detail and softness quickly gave way to a sky that felt almost apocalyptic in scale and intensity.

As the sun began to fall, the atmosphere changed within minutes.

The horizon ignited in deep reds, burning oranges, and molten gold, casting an otherworldly glow across the entire field. The sunflowers, once vibrant and full of detail, became dark silhouettes beneath the blaze above them — thousands of shadowed heads stretching endlessly toward the horizon. In the distance, a lone tree stood against the fire-lit sky, almost black against the overwhelming light surrounding it.

For Phillip, it felt surreal.

There are sunsets that feel gentle and fleeting, and then there are sunsets like this — the kind that stop you in your tracks and make the landscape feel as though it is burning from within. The air itself seemed saturated with colour. Every glance through the viewfinder revealed something more dramatic than the last.

What made the moment even more rewarding was the contrast to the earlier part of the evening. Only an hour before, he had been slowing down amongst individual flowers, searching for calmness and subtle compositions with the 100–400mm. Now, the same field had become vast, cinematic, and almost biblical in mood.

Spoilt by an unforgettable sky, Phillip stood amongst the darkened sunflowers as the light slowly faded, watching the field disappear into crimson embers beneath the dying sun.

Printed in Dale Abbey

Every print is personally handled by Phillip from start to finish at his home studio in Dale Abbey. Using the Canon PIXMA PRO-200S, each photograph is carefully printed, checked, and prepared by hand to ensure it meets the highest possible standard before leaving the studio.

Rather than outsourcing production, Phillip believes in remaining closely connected to every stage of the printing process. From selecting the final image and adjusting tones for print, to reviewing detail, texture and overall presentation, every piece is produced with the same level of care and attention that went into capturing the original photograph in the field.

Each print is created in small numbers, allowing time for precision, consistency and quality rather than mass production.

──────────────────────────────────

Quality Control

Quality control is an essential part of the process. From colour and contrast to paper finish and detail retention, every print is overseen personally by Phillip to ensure the final piece reflects the atmosphere and emotion of the original scene as faithfully as possible.

Landscape photography can often contain subtle transitions in light, deep shadow detail, and delicate colour tones that deserve careful handling when brought into print. Every image is individually reviewed to ensure those quieter details remain present and true to the original vision.

Prints are checked under natural lighting conditions to ensure consistency, depth and accuracy — creating a final piece that feels refined, natural and true to the landscape itself.

──────────────────────────────────

Premium Materials

To achieve this, only premium materials are used, including Canon Photo Paper Pro Premium Matte — chosen for its exceptional detail, rich tones, and beautifully subtle texture that perfectly complements Phillip’s landscape photography.

Phillip has always been drawn to the softer, more natural finish that matte paper provides. It removes unnecessary glare and allows the atmosphere, mood and detail within each image to take centre stage. From mist-filled woodlands and soft sunrise light to dramatic weather rolling across the landscape, the paper helps retain a subtle and timeless feel.

The combination of professional inks, carefully calibrated printing and premium matte paper ensures every print is produced with longevity, clarity and richness in mind.

──────────────────────────────────

A Personal Thank You

Please know that purchasing one of Phillip’s prints is considered the highest compliment he can receive. Every order genuinely means a great deal and supports the continued exploration, quiet mornings, long walks, and moments behind the camera that make these photographs possible.

Photography has always been far more than simply taking pictures. It is a form of escapism, reflection and connection to the outdoors — whether standing alone in woodland before sunrise, exploring hidden corners close to home in Dale Abbey, or enduring difficult conditions in search of fleeting light.

Knowing that one of these moments will live on in somebody’s home is something Phillip never takes for granted. Every print purchased directly supports future adventures, early mornings, long evenings outdoors and the continued pursuit of meaningful landscape photography.