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between stone and silence-full.jpg
DSCF0153-5.jpg222.jpg

Between the Silence and Stones

from £75.00

Between the Silence and Stones became the perfect continuation to an already unforgettable morning exploring North Wales.

After witnessing sunrise unfold across the still waters of Llyn Nantlle, Phillip continued deeper into the landscape, arriving at the Fairy Glen at exactly the right moment. Timing here meant everything. Too early and the gorge would remain hidden beneath shadow. Too late and the light would become harsh and lose the softness that gives the place its atmosphere.

But this morning, everything aligned perfectly.

As the sun climbed just high enough above the surrounding woodland, shafts of warm golden light began pouring directly into the gorge, illuminating the moss-covered rock walls and setting the autumn colours ablaze. Deep greens, burnt oranges, and rust-red leaves suddenly came alive against the dark stone, whilst the river below quietly wound its way through the centre of the scene.

For Phillip, places like the Fairy Glen almost feel untouched by time. The towering rock faces, softened by moss and years of flowing water, create a silence that immediately pulls you in. Standing there with the sound of the river echoing gently through the gorge, it felt less like photographing a location and more like stepping briefly into another world.

What made the moment so special was how fleeting it was.

The light only reached this far into the gorge for a short window before disappearing once again behind the cliffs and trees above. For those few minutes, though, the entire glen glowed — every texture, every fallen leaf, every vein of moss illuminated perfectly.

This experience and this photograph alone left a lasting impression on Phillip. Long after returning home, the atmosphere of that quiet autumn morning stayed with him — the stillness, the warmth of the light, and the feeling of discovering somewhere almost hidden from the modern world. It became far more than just another image from a day exploring North Wales.

In fact, it became one of the few photographs Phillip chose to frame for himself, now hanging above his office desk as a daily reminder of that morning within the Fairy Glen and the feeling of being completely immersed within the landscape.

Size:

Between the Silence and Stones became the perfect continuation to an already unforgettable morning exploring North Wales.

After witnessing sunrise unfold across the still waters of Llyn Nantlle, Phillip continued deeper into the landscape, arriving at the Fairy Glen at exactly the right moment. Timing here meant everything. Too early and the gorge would remain hidden beneath shadow. Too late and the light would become harsh and lose the softness that gives the place its atmosphere.

But this morning, everything aligned perfectly.

As the sun climbed just high enough above the surrounding woodland, shafts of warm golden light began pouring directly into the gorge, illuminating the moss-covered rock walls and setting the autumn colours ablaze. Deep greens, burnt oranges, and rust-red leaves suddenly came alive against the dark stone, whilst the river below quietly wound its way through the centre of the scene.

For Phillip, places like the Fairy Glen almost feel untouched by time. The towering rock faces, softened by moss and years of flowing water, create a silence that immediately pulls you in. Standing there with the sound of the river echoing gently through the gorge, it felt less like photographing a location and more like stepping briefly into another world.

What made the moment so special was how fleeting it was.

The light only reached this far into the gorge for a short window before disappearing once again behind the cliffs and trees above. For those few minutes, though, the entire glen glowed — every texture, every fallen leaf, every vein of moss illuminated perfectly.

This experience and this photograph alone left a lasting impression on Phillip. Long after returning home, the atmosphere of that quiet autumn morning stayed with him — the stillness, the warmth of the light, and the feeling of discovering somewhere almost hidden from the modern world. It became far more than just another image from a day exploring North Wales.

In fact, it became one of the few photographs Phillip chose to frame for himself, now hanging above his office desk as a daily reminder of that morning within the Fairy Glen and the feeling of being completely immersed within the landscape.

Printed in Dale Abbey

Every print is personally handled by Phillip from start to finish at his home studio in Dale Abbey. Using the Canon PIXMA PRO-200S, each photograph is carefully printed, checked, and prepared by hand to ensure it meets the highest possible standard before leaving the studio.

Rather than outsourcing production, Phillip believes in remaining closely connected to every stage of the printing process. From selecting the final image and adjusting tones for print, to reviewing detail, texture and overall presentation, every piece is produced with the same level of care and attention that went into capturing the original photograph in the field.

Each print is created in small numbers, allowing time for precision, consistency and quality rather than mass production.

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Quality Control

Quality control is an essential part of the process. From colour and contrast to paper finish and detail retention, every print is overseen personally by Phillip to ensure the final piece reflects the atmosphere and emotion of the original scene as faithfully as possible.

Landscape photography can often contain subtle transitions in light, deep shadow detail, and delicate colour tones that deserve careful handling when brought into print. Every image is individually reviewed to ensure those quieter details remain present and true to the original vision.

Prints are checked under natural lighting conditions to ensure consistency, depth and accuracy — creating a final piece that feels refined, natural and true to the landscape itself.

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Premium Materials

To achieve this, only premium materials are used, including Canon Photo Paper Pro Premium Matte — chosen for its exceptional detail, rich tones, and beautifully subtle texture that perfectly complements Phillip’s landscape photography.

Phillip has always been drawn to the softer, more natural finish that matte paper provides. It removes unnecessary glare and allows the atmosphere, mood and detail within each image to take centre stage. From mist-filled woodlands and soft sunrise light to dramatic weather rolling across the landscape, the paper helps retain a subtle and timeless feel.

The combination of professional inks, carefully calibrated printing and premium matte paper ensures every print is produced with longevity, clarity and richness in mind.

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A Personal Thank You

Please know that purchasing one of Phillip’s prints is considered the highest compliment he can receive. Every order genuinely means a great deal and supports the continued exploration, quiet mornings, long walks, and moments behind the camera that make these photographs possible.

Photography has always been far more than simply taking pictures. It is a form of escapism, reflection and connection to the outdoors — whether standing alone in woodland before sunrise, exploring hidden corners close to home in Dale Abbey, or enduring difficult conditions in search of fleeting light.

Knowing that one of these moments will live on in somebody’s home is something Phillip never takes for granted. Every print purchased directly supports future adventures, early mornings, long evenings outdoors and the continued pursuit of meaningful landscape photography.