after the storm-full.jpg
After The Storm.jpg
after the storm-full.jpg
After The Storm.jpg

After The Storm

from £75.00

Over time, these two trees had quietly become something of a refuge for Phillip. A simple location, close to home, but one that never seemed to photograph the same way twice. Whenever work became overwhelming and the noise of everyday life started to build, this was often where he’d end up—camera in hand, searching for a little space and silence.

On this particular evening, the conditions looked far from promising.

A huge storm rolled through during the journey there, bringing heavy rain and soaking everything in its path, including Phillip himself. Dark clouds hung low across the landscape and for a while it felt as though the weather had won. But experience has a way of teaching patience, especially in landscape photography.

Then the break came.

The storm clouds began to separate just enough for the evening sun to pour through, flooding the rolling fields with warm golden light while the dramatic sky still lingered overhead. What had started as a cold, rain-soaked scene suddenly became alive with contrast and atmosphere. Light and shadow swept across the land in layers, transforming the familiar composition into something completely dynamic and fleeting.

Using the Fujifilm 16–55mm f/2.8, Phillip was able to react quickly and compose the scene exactly as it unfolded before him. Within minutes, the light shifted again and the moment was gone.

But for a brief spell after the storm, the landscape offered exactly what had been needed all along—peace, quiet, and a reminder that even the darkest skies rarely last forever.

Size:

Over time, these two trees had quietly become something of a refuge for Phillip. A simple location, close to home, but one that never seemed to photograph the same way twice. Whenever work became overwhelming and the noise of everyday life started to build, this was often where he’d end up—camera in hand, searching for a little space and silence.

On this particular evening, the conditions looked far from promising.

A huge storm rolled through during the journey there, bringing heavy rain and soaking everything in its path, including Phillip himself. Dark clouds hung low across the landscape and for a while it felt as though the weather had won. But experience has a way of teaching patience, especially in landscape photography.

Then the break came.

The storm clouds began to separate just enough for the evening sun to pour through, flooding the rolling fields with warm golden light while the dramatic sky still lingered overhead. What had started as a cold, rain-soaked scene suddenly became alive with contrast and atmosphere. Light and shadow swept across the land in layers, transforming the familiar composition into something completely dynamic and fleeting.

Using the Fujifilm 16–55mm f/2.8, Phillip was able to react quickly and compose the scene exactly as it unfolded before him. Within minutes, the light shifted again and the moment was gone.

But for a brief spell after the storm, the landscape offered exactly what had been needed all along—peace, quiet, and a reminder that even the darkest skies rarely last forever.

Printed in Dale Abbey

Every print is personally handled by Phillip from start to finish at his home studio in Dale Abbey. Using the Canon PIXMA PRO-200S, each photograph is carefully printed, checked, and prepared by hand to ensure it meets the highest possible standard before leaving the studio.

Rather than outsourcing production, Phillip believes in remaining closely connected to every stage of the printing process. From selecting the final image and adjusting tones for print, to reviewing detail, texture and overall presentation, every piece is produced with the same level of care and attention that went into capturing the original photograph in the field.

Each print is created in small numbers, allowing time for precision, consistency and quality rather than mass production.

──────────────────────────────────

Quality Control

Quality control is an essential part of the process. From colour and contrast to paper finish and detail retention, every print is overseen personally by Phillip to ensure the final piece reflects the atmosphere and emotion of the original scene as faithfully as possible.

Landscape photography can often contain subtle transitions in light, deep shadow detail, and delicate colour tones that deserve careful handling when brought into print. Every image is individually reviewed to ensure those quieter details remain present and true to the original vision.

Prints are checked under natural lighting conditions to ensure consistency, depth and accuracy — creating a final piece that feels refined, natural and true to the landscape itself.

──────────────────────────────────

Premium Materials

To achieve this, only premium materials are used, including Canon Photo Paper Pro Premium Matte — chosen for its exceptional detail, rich tones, and beautifully subtle texture that perfectly complements Phillip’s landscape photography.

Phillip has always been drawn to the softer, more natural finish that matte paper provides. It removes unnecessary glare and allows the atmosphere, mood and detail within each image to take centre stage. From mist-filled woodlands and soft sunrise light to dramatic weather rolling across the landscape, the paper helps retain a subtle and timeless feel.

The combination of professional inks, carefully calibrated printing and premium matte paper ensures every print is produced with longevity, clarity and richness in mind.

──────────────────────────────────

A Personal Thank You

Please know that purchasing one of Phillip’s prints is considered the highest compliment he can receive. Every order genuinely means a great deal and supports the continued exploration, quiet mornings, long walks, and moments behind the camera that make these photographs possible.

Photography has always been far more than simply taking pictures. It is a form of escapism, reflection and connection to the outdoors — whether standing alone in woodland before sunrise, exploring hidden corners close to home in Dale Abbey, or enduring difficult conditions in search of fleeting light.

Knowing that one of these moments will live on in somebody’s home is something Phillip never takes for granted. Every print purchased directly supports future adventures, early mornings, long evenings outdoors and the continued pursuit of meaningful landscape photography.